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Color-Coded Critiques with Gayle

Color-Coded Critiques

Color-Coded Critiques

Revision is a daunting task. Some writers love it. Others hate it. I’d like to share with you how I revise my manuscripts.

Maybe some of you do this, already, but when I met with my first editor and editorial director, they were fascinated by what I described as my revision process. The editorial director asked if she could use it in her writing class to help her students. Of course I said, “Yes.”

Then I thought maybe I should share it with you, too. It was born out of my obsessive need for clarity, thus color identification for each critiquer's suggestion.

1. I write the whole manuscript, not stopping to correct or change.

2. Then I let it sit for 2-3 weeks, while I work on something else, of course.

3. When I take it out to revise, it’s like someone else’s work and I can see it more objectively.

4. I make the first round of changes in red.

5. A second read through might alter a word or phrase in blue.

6. Then it’s ready to be sent to my critique group.

Each of my writing partners is assigned a color (although they are unaware of it).

Their comments and suggestions are added to the manuscript in green, purple, orange, and turquoise.

When I’m finished my manuscript looks like a rainbow, but it’s tighter, stronger and hopefully, more salable.

I change everything back to black and begin my submissions. In fact, I’m off to submit a new picture book, this evening.

GIVEAWAY .... If you would like to see a demonstration of my revision technique, send me the first page of you MG or YA novel and I will give it the rainbow critique.

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1 Comment

This is awesome, Gayle! I do something similar, but not exactly the same. I'm going to try this!

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